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铜雕寿命
不论从历史书籍记载还是考古文物发现,佛教早在东汉即传入我国并有了佛像。最早期的佛造像多见于金铜佛像，从造型来看，金铜佛像大多形小而精致便以携带，供奉地方普遍而广泛，多见于寺庙和信众家中的佛龛或收藏于佛塔地宫之中。晋代陈寿编写《三国志》中记载有（笮融大起浮屠祠内有一尊金铜佛像）这是中国正史中首次明确的金铜佛像记载,从实物来看，铜佛像最早的是五胡十六国时期的，十六国是西晋末年北方少数民族一时间纷立的小朝廷时期，从丝绸之路传来的最初佛教，这些地区最先改变了民俗民风,由来佛的信仰。所以十六国佛教较之南方早，在东晋时期更为昌盛的佛像艺术也因此而兴盛，后赵、前秦、北凉统治者以更虔敬的态度接受了佛教，佛教造像功德思想瞬间流行,人们迫于战乱又热切希望解脱痛苦，佛像艺术得以兴盛。美国旧金山亚洲美术馆现收藏后赵建武四年（338年）金铜佛像是中国现存有明确纪年最早的金铜佛像，至今已经一千七百多年了，还保存完整。
Whether recorded in historical books or archaeological relics, Buddhism was introduced into China as early as the Eastern Han Dynasty and there were Buddhist statues. The earliest statues of Buddha were mostly bronze and gold statues, which were small and delicate to carry, worshipped widely in places, mostly in temples and public homes, or in niches of Buddhist pagodas and palaces. Chen Shou in the Jin Dynasty wrote the Annals of the Three Kingdoms (there is a bronze and gold Buddha statue in the Futu Temple from Yunrong Daqi) which is the first clear record of the bronze and gold Buddha statue in the history of China. From the physical point of view, the bronze Buddha statue was the earliest in the period of the Five Hu and Sixteen Kingdoms, and the sixteen Kingdoms was the period of the small court in which the northern minority nationalities were The original Buddhism from the Silk Road changed the folklore and the belief of Buddha. Therefore, Buddhism of the Sixteen Kingdoms was earlier than that of the South, and the more prosperous Buddhist statue art flourished in the Eastern Jin Dynasty. Later, the rulers of Zhao, Pre-Qin and Beiliang accepted Buddhism with a more reverent attitude. Buddhist statue merits and virtues became popular in an instant. People were forced by the war and eagerly hoped to relieve suffering, and Buddhist statue art flourished. The bronze and gold Buddha statue of Zhao Jianwu in the fourth year (338 years) of his life is now in the collection of the Asian Art Museum in San Francisco, USA. It is the earliest known bronze and gold Buddha statue in China. It has been more than 1,700 years and remains intact.
Whether recorded in historical books or archaeological relics, Buddhism was introduced into China as early as the Eastern Han Dynasty and there were Buddhist statues. The earliest statues of Buddha were mostly bronze and gold statues, which were small and delicate to carry, worshipped widely in places, mostly in temples and public homes, or in niches of Buddhist pagodas and palaces. Chen Shou in the Jin Dynasty wrote the Annals of the Three Kingdoms (there is a bronze and gold Buddha statue in the Futu Temple from Yunrong Daqi) which is the first clear record of the bronze and gold Buddha statue in the history of China. From the physical point of view, the bronze Buddha statue was the earliest in the period of the Five Hu and Sixteen Kingdoms, and the sixteen Kingdoms was the period of the small court in which the northern minority nationalities were The original Buddhism from the Silk Road changed the folklore and the belief of Buddha. Therefore, Buddhism of the Sixteen Kingdoms was earlier than that of the South, and the more prosperous Buddhist statue art flourished in the Eastern Jin Dynasty. Later, the rulers of Zhao, Pre-Qin and Beiliang accepted Buddhism with a more reverent attitude. Buddhist statue merits and virtues became popular in an instant. People were forced by the war and eagerly hoped to relieve suffering, and Buddhist statue art flourished. The bronze and gold Buddha statue of Zhao Jianwu in the fourth year (338 years) of his life is now in the collection of the Asian Art Museum in San Francisco, USA. It is the earliest known bronze and gold Buddha statue in China. It has been more than 1,700 years and remains intact.
