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浮雕制造工艺流程
浮雕著作是平的，就像你在硬币上看到的那种雕像。它看起来比较容易做，实则否则。青铜浮雕得制造理论很简略，假设一固体在空间有三条轴：X轴、Y轴和Z轴，其间X轴是垂直轴，Y轴是水平轴，Z轴是纵深轴。在作浮雕时，坚持X轴、Y轴不变，而紧缩Z轴，将其上的元素悉数压平就行了。
The relief work is flat, like the statue you saw on a coin. It looks easier to do, but in fact it is not. The manufacturing theory of bronze relief is very simple. It is assumed that a solid has three axes in space: the X axis, the Y axis and the Z axis, in which the X axis is vertical, the Y axis is horizontal and the Z axis is longitudinal and deep. When making relief, stick to the X-axis and Y-axis unchanged, and tighten the Z-axis, and flatten all the elements on it.
一、高浮雕。此类著作正如人紧紧靠墙面立相同，你能够把手指弯过来触摸到人物的背部。著作《游水者》中人物凸现得非常都，好像刚刚碰到墙相同。
1. High relief. Such works are like people standing close to the wall. You can bend your fingers and touch the back of the characters. The characters in the book "the swimmers" appear very much, as if they had just touched the wall.
二、半浮雕。此类著作上的人物约有一半埋入墙内。
Two, half relief. About half of these characters are buried in walls.
三、浅浮雕。浅浮雕的凸现程度也不尽相同，硬币仅仅其间凸现很少的一种。
Three, shallow relief. The relief of shallow relief is not the same, and coins only appear rarely.
四、干浮雕。颜料为壁上灰泥所吸收，枯燥后呈洼陷状。在雕塑中此法简直就适当与用笔直接在黏土上绘画，凸现程度极小。
Four, dry relief. The pigment is absorbed by wall plaster, and it is subsurface after drying. In sculpture, this method is just as appropriate as painting directly on clay with pen.
假如想尝试做浮雕的话最好是先用黏土做个滑润的厚板状物体。不要在桌上水平的去做，相反，就像绘画相同把它竖在一骨架上。作为操练，先在一个台子上放个盒子或空心砖，然后从必定视点去调查，并进行雕塑。首要，要把盒子细心的画到黏土上，要保证视点正确，接着在离自己最远的那个角添上薄薄一层黏土，再找出离你最近的角并堆上约1/2英寸的黏土。再依据这个份额添上黏土，然后用黏土把这些点衔接起来，把盒子的边棱补上，使这些衔接角与角的边棱线条向前杰出或向后延展呈直线状况。最终按照这个姿态把外表做好。
If you want to try to do relief, it is best to use clay to make a thick plate like object. Don't do it on the table. On the contrary, just like painting, it is erected on a skeleton. As a drill, first put a box or hollow brick on a table, and then investigate and sculpt from a certain point of view. First, paint the box carefully on the clay. Make sure the point of view is correct. Then add a thin layer of clay to the farthest corner. Find the nearest corner and pile up about 1/2 inch of clay. Then add clay according to this share, and then use clay to connect these points, and fill the edges of the box, so that the edges of these joining angles and corners are outstanding forward or extended backward in a straight line. Finally, make the appearance according to this posture.
The relief work is flat, like the statue you saw on a coin. It looks easier to do, but in fact it is not. The manufacturing theory of bronze relief is very simple. It is assumed that a solid has three axes in space: the X axis, the Y axis and the Z axis, in which the X axis is vertical, the Y axis is horizontal and the Z axis is longitudinal and deep. When making relief, stick to the X-axis and Y-axis unchanged, and tighten the Z-axis, and flatten all the elements on it.
一、高浮雕。此类著作正如人紧紧靠墙面立相同，你能够把手指弯过来触摸到人物的背部。著作《游水者》中人物凸现得非常都，好像刚刚碰到墙相同。
1. High relief. Such works are like people standing close to the wall. You can bend your fingers and touch the back of the characters. The characters in the book "the swimmers" appear very much, as if they had just touched the wall.
二、半浮雕。此类著作上的人物约有一半埋入墙内。
Two, half relief. About half of these characters are buried in walls.
三、浅浮雕。浅浮雕的凸现程度也不尽相同，硬币仅仅其间凸现很少的一种。
Three, shallow relief. The relief of shallow relief is not the same, and coins only appear rarely.
四、干浮雕。颜料为壁上灰泥所吸收，枯燥后呈洼陷状。在雕塑中此法简直就适当与用笔直接在黏土上绘画，凸现程度极小。
Four, dry relief. The pigment is absorbed by wall plaster, and it is subsurface after drying. In sculpture, this method is just as appropriate as painting directly on clay with pen.
假如想尝试做浮雕的话最好是先用黏土做个滑润的厚板状物体。不要在桌上水平的去做，相反，就像绘画相同把它竖在一骨架上。作为操练，先在一个台子上放个盒子或空心砖，然后从必定视点去调查，并进行雕塑。首要，要把盒子细心的画到黏土上，要保证视点正确，接着在离自己最远的那个角添上薄薄一层黏土，再找出离你最近的角并堆上约1/2英寸的黏土。再依据这个份额添上黏土，然后用黏土把这些点衔接起来，把盒子的边棱补上，使这些衔接角与角的边棱线条向前杰出或向后延展呈直线状况。最终按照这个姿态把外表做好。
If you want to try to do relief, it is best to use clay to make a thick plate like object. Don't do it on the table. On the contrary, just like painting, it is erected on a skeleton. As a drill, first put a box or hollow brick on a table, and then investigate and sculpt from a certain point of view. First, paint the box carefully on the clay. Make sure the point of view is correct. Then add a thin layer of clay to the farthest corner. Find the nearest corner and pile up about 1/2 inch of clay. Then add clay according to this share, and then use clay to connect these points, and fill the edges of the box, so that the edges of these joining angles and corners are outstanding forward or extended backward in a straight line. Finally, make the appearance according to this posture.
