浅浮雕起位较低，形体压缩较大，平面感较强，更大程度地接近于绘画形式。它主要不是靠实体性空间来营造空间效果，而更多地利用绘画的描绘手法或透视、错觉等处理方式来造成较抽象的压缩空间，这有利于加强浮雕适合于载体的依附性。美索不达米亚的古亚述人，大概是最善长于用此手段进行艺术表现的艺术家。在一系列的“亚述人狩猎图”中，他们很好地运用浅浮雕手法，富有节奏感和韵律感地表现出充满生气的艺术形象，并以复杂的动势贴切地展现出人物和动物的内在情感。

Shallow relief has a lower rising position, a larger compression, a stronger sense of plane, and a greater degree of proximity to the form of painting. It does not mainly rely on physical space to create space effects, but more use of painting techniques or perspective, illusion and other processing methods to create more abstract compression space, which is conducive to strengthening the dependence of relief suitable for the carrier. The ancient Assyrians of Mesopotamia were probably the most skilled artists in artistic expression by this means. In a series of "Assyrian hunting maps", they make good use of theyoule.89ix.comhuatiw.89ix.comzuhehuati.89ix.comguandao.89ix.comhuanwanggui.89ix.compeidian

gui.89ix.com shallow relief technique, showing the artistic image full of vitality with rhythm and rhythm, and showing the inner emotions of characters and animals with complex momentum.

浮雕空间压缩程度的选择，通常要考虑表现对象的功能、主题、环境位置和光线等因素，其中环境与光线因素起着决定性作用。优秀的雕塑家总能很好地处理这些关系，从而使作品达到良好的视觉效果。
In choosing the compression degree of relief space, factors such as function, theme, location of environment and light are usually considered, among which environment and light play a decisive role. Excellent sculptors can always handle these relationships well, so as to achieve a good visual effect.